Friday, 7 August 2009

Attrition

What can I say? You could say, "These guys rock" - it would be true but it would probably give the wrong impression and would be a very unimaginative response to their craft....(pause).

The most successful businesses, relationships, art, music, lives, walk along a very long (thin) tightrope that has success and failure on either side of it. Every day we walk this tightrope trying not to fall off. To much success means there is (creatively) no where else to go, the only way left is down and spiraling into failure just means you are finished. If you fall off, it is tough to get back up and dust yourself off. We are all doomed - the smart people stay on that tightrope; this is where optimum efficiency lives and creativity is at its best. Attrition have been traversing this line for years and years and years and they haven't fallen off yet. It is difficult to pick a track that covers decades of material but - 'Two Gods' is a good place to start, then you will be entrapped in their dark, enveloping, Gothic world - one of the most important bands in the history of music...


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Thursday, 6 August 2009

Maddie Jones


There are hundreds of singer songwriters, who strum a guitar, sing out of tune and sound crap. From the first discordant chord to the last flat note, you want to dive under the table and cringe. There are those people who subscribe to the X Factor viewpoint and find the humiliation of untalented people as good sport, personally I find it a cheap trick. Artists (and wannabees) who place their music on line also run the risk of being laughed at and ridiculed. The talentless remain untalented and the creative and gifted, hopefully succeed.

Maddie Jones need not worry, her songs are lyrically strong and her voice has enough colour and warmth to fill in the whole picture. Empty/Full (Demo)' and 'Dirty Little Secret' - listen to the words... isn't love a tough cookie.

All the tracks are recorded in a rough and ready style, which makes them honest and truthful - excellent.


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This is what is said:

People should listen, and decide for themselves who or what something sounds like.

This being Maddie’s key philosophy, she deliberately makes herself hard to pigeonhole into a genre. Her spirit is in her unusual voice, and song-writing style influenced by an assortment of musical approaches. The melodic emphasis of her songs is coupled with lyrics that are as memorable for their significance to many listeners as their cryptic obscurity. She can easily be seen as part of a new breed of solo act, armed with the instrumentation of a folk performer but with the attitude of a front-woman.

Maddie’s recent efforts have balanced live performance with studio recording: her 6-track E.P., recorded with session musicians displays some of the contrast resulting from her widespread musical interests. As a live performer, she is currently based between her home region of South Wales, and Nottingham, where she continues to reside following her time at University. With the aid of her E.P. release and continued live presence, she plans to make her appearances more geographically widespread.

Having sang from a young age in situations ranging from punk groups to musical theatre roles, Maddie began forming her solo act when she started teaching herself guitar at 16. The sheer enjoyment of performance, coupled with the discovery of the power of songwriting led to a pursuit of exposure on acoustic circuits at home and in University. Maddie’s influences, whilst strongly based in her eclectic musical tastes and experiences, also stem from other areas, such as art and theatre. Whilst the live recording is a key aspect of the development of Maddie’s songs, she finds greater enjoyment in the live performance, and jamming with other musicians.

Whether or not you agree with Maddie’s self-proclaimed miscellany: do as she asks, and make your own decision.

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Wednesday, 5 August 2009

Jenni French


I have had Jenni French's music on my player for most of today. I love the way she records her stuff, nothing is over complicated or too tricksy just straight forward and down the line. I adore the way 'Furry Butterfly' begins with a simple vocal and then stops...starts again and gradually builds. 'American Woman Remix' begins as a typical American female rock ballad and then becomes an electronic stomp - this is such a commercial sounding song. '911 Remix' is probably the coolest thing I've heard for ages, great vocals, great control - superb!....I think I will stop there before I embarrass myself.

Jenni is a singer, songwriter and recording artist. She records her own music using ProTools with husband, Toby Francis. All the tracks on the player are different but have (undoubtedly) a Jenni French sound and feel. I was really disappointed when the tracks were over, I wanted more.


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Finally our S P O N S O R S

Quail eggs for lunch After a long wait we have finally got enough eggs to have them as part of a meal. It was worth the wait, they were delicious...

Tuesday, 4 August 2009

Steven Does/The Gay Silhouettes

How can somebody, except maybe an English eccentric (or Steven Does) get away with writing a song about putting out washing in the garden and it being the last day of May? The British obsession with the weather (guess what it's ####### raining again outside - what is the sun?) is a source of humor for the rest of the world (together with our tea drinking) but try living here... I can see the garden and all is not calm. 'Out In The Garden remix', is a great example of an independent artist creating something in an effective and simple way.

Steven has strident views on the music industry and he is also a champion of the little guy. He also has the ability to write cracking good electra dance tracks, listen to 'Disco Stu-Pid (Homage to Homer)'. Great stuff!


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Steven Does/The Gay Silhouettes said:

I admire artists who can continually re-invent themselves, musically, and can do it over a lifetime; few artists fall into this bracket. Having eclectic taste is the key to such longevity; many bands re-create the first album they did over-and-over again until their creative juices fizzle out, and yet these are the ones that seem to receive all the adulation. Such predictability seems a key feature of the music industry these days, enabling those in prominent positions to easily manipulate public tastes, a consequence of which is the exclusion of a cross-section of genuinely talented artists, whose only crime is their innovation--seemingly an obstacle in the current environment!

I'm in it for the creativity, not the money, and I would rather have total freedom in that department than sell my soul to make a few bucks. Writing music to formula is not for me, nor is living out the stereotyped rock-or-pop-star existence that has become such a tired cliché; which is, I feel, another aspect of the music industry responsible for consigning genuine talent to obscurity.

Make Celebrities History, taken from the phrase MAKE POVERTY HISTORY, coined by a collection of pop-stars, who seem to believe that their iconic status can somehow change the world, was set up to highlight these flaws in the music and entertainment industry, and together with PANGAEA'S PEOPLE, is committed to bringing untapped, obscure, talent to the attention of the public. I feel artists need to switch tactics, rather than take the direct route to the top of the mountain, which is extremely overcrowded; In addition to which, there is no room at the inn anyway!

I hope that more artists will come to realise that, and look towards each other for the kind of support they are not going to get from faceless corporations. So far, few see the potential of a self-sufficient collective. Such a collective would have to be very unique in its approach, and the internal loyalty and commitment would have to be on a higher plain, which, I guess, is idealism to taken to its extreme!

I have to briefly mention this side of things, because such a cause is as important to me as the music itself. I know I am making a lot of enemies by bringing politics into the arena, but as I feel so strongly about the exclusion of so much talent by the music industry, I have to, at least, aspire to what may seem like a hopeless cause.

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