Monday, 26 October 2009

The Dancing Did - Retrospective


There are bands that are inspirational and some that are just totally entertaining. To be able to be either of those things and be unique is very rare. The Dancing Did, through their front man and his incredible articulate, educated lyrics, sang about the countryside around the Vale of Evesham, the plight of its people, the folk lore, the lorry pirates, the gypsies and the day Bo Diddly nearly came to Evesham. Musically they were a - just go and listen I can't explain.

Evesham at the beginning of the 1980's was a hotbed of creative people, with other bands like 'The Photos' and 'And Also The Trees' living within a small radius of The Vauxhall Inn, the favorite watering hole at the time and also the home of Nicola (Baby Go slippers) Mumford - more here.

My affection for 'The Did' is for two reasons, they were fun to be around and they were the reason why 'Finish The Story' formed.



In 2007 Cherry Red released a retrospective of their work which included some live tracks which I by chance recorded at Cheltenham College, I was there to record 'Blurt' and had some tape over so this unique moment was recorded.


Visit their site
"There are too many bungalows being built for my liking"

Friday, 23 October 2009

Newsletter 23 October


X-rated stuff this - Breck Stewart - Interview this is splendid.

If any of you out have ever had chronic back pain you will know how I am suffering at the moment. It has been nearly two weeks since I twisted it - OUCH!

Things here have gone a little bit crazy, with us doing a couple of interviews for magazines etc. and the iminent release of our latest project on iTunes.

Your emails about our side project have been helpful and very rewarding, here are few of the latest interview pages we have done on SystemCulture.org. See: Cyphreinc Podcasts this this is a great little gem.

The website SystemCulture.org is dedicated to reviewing and interviewing artists. Each interview has the artists link widget and player on it. If you want an interview on SystemCulture.org - We want to ask you some questions; contact us if you want to participate - keep emailing us with your details and we will keep promoting your music.


Support us by buying a track from iTunes

Thanks for your support,

This Window

This%20WindowQuantcast


Thursday, 22 October 2009

Breck Stewart - Interview


Below is an email interview with Breck Stewart. All interviews are published unedited.
  • You have had a varied career starting at a very young age. What have been the most rewarding highlights so far?
For me, the work has always been the reward. To actually be able to put so much time and effort into my art is a gift from life I truly cherish. Yes, I struggle financially and my whole existence is dedicated to my career which means very little to no social life. But somehow, as soon as I stop working I get depressed. As if the whole purpose of my existence was to actually promote and create my art, no matter how vain it might sound.

And I fully understand that the fame I have once craved so much and that might always elude me is made up only of tiny glimpses of recognition which in the end, doesn't really define us. But I must say that by starting very young, I was really able to put it all in perspective and never forget that in any career, the ones who succeed are the ones who often have to sacrifice everything to what they believe in. And I'm prepared for that.
  • You list a very impressive support team behind you, what are their roles and how important do you think it is to have this support system?
The thing about my organization is that we are mainly 3 members: Me, Calvin and Gabe, my 2 partners. We actually all live in different countries most of the time. Yet with the net now making things so easy and distances a thing of the past, we were able to create a dynamic which fits well.

There are also other people that come and go in the process but somehow, the 3 of us have connected in a way that made an efficient entity. Without them, not much of this would ever be possible. Now that we are not only producing but actually distributing both a movie and album, the level of complexity makes their role invaluable.
  • Tell me about the releases you have to date and are there any more planned for the future?
We have released the album Utopia first online in digital form only back in December 2007. But it took a long time in order to create a structure that would allow us to sustain a promotion strategy. I must admit, I was coming from the world of porn where I was an actor since 2000. And so, I had to completely redefine my role and existence while making a bifurcation to music in 2006 when I started to record the album. I hadn't really recorded any vocals before that point.

And all the while, I wanted to start producing and directing my own project which actually became a sort of mix between my music and high tech pornography. Utopia X is now the movie I am releasing officially on the 5th of November exactly 6 years to the day after the theatrical release of The Matrix Revolutions which came out in 2003. The Matrix trilogy had such a profound impact on me that it completely redefined the way I viewed life. And in a way, Utopia X is my own version of The Matrix, with sex, very cheap effects and no money lol

I wanted to create a new kind of pornography where images would come at a very fast pace being relentless in their motion. The movie is available for any public display with no restrictions and will be distributed progressively in many dance and sex clubs. We also plan to release Utopia on CD in 2010 with a bonus Disc along with a video compilation on DVD featuring new music videos including many from my next album called Mister E.

I'm still working on recording this last outing and it should become available hopefully sometime in 2010 in digital form at first and then on CD subsequently. Being an independent artist often means that our albums are progressively being heard because we don't have a massive push from the big labels which makes it possible for an established artist to be seen simultaneously throughout a large array of venues. As an indie, I got used to working from the ground up for any new production.
  • How would you describe your music and who has inspired you?
I admit I was baffled at first when I was asked to describe my own music. The best definition I came up with is electronic dance music with a pop edge. It's quite a bit experimental and can even be eclectic. What happened is that I met 2 music composers who had tons of musical compositions without vocals or structures that could be as long as 10 minutes and more.

I listened to a huge amount of material and picked parts of certain tracks which I thought could become songs and started to write words and melodies. And I was really careful to adhere to a certain pop structure even if the original music wasn't necessarily created to accomodate a pop song per say. And once I was faced with the results, I had a hard time describing it even to myself.

I tend to have a schizophrenic way of writing songs, very charged and dense vocally which I have to refine a bit by substracting elements. And even if there is a ton of artists who have truly inspired me, The Pet Shop Boys, Depeche Mode, Duran Duran and Erasure are most likely the ones who have truly changed my vision on life and permanently permeated anything I can create in the future.
  • You have commented on our pixelated existence on the web, how important is the Internet for delivering your music?
The net is extremely important because it really gives many the chance to forge a career in the world of music even now that the existing structures are crumbling. There are a lot more music hopefuls now then there were even 10 years ago. And the net is responsible for that in a big way as it gave tools to create art to anyone willing enough to do the work and pursue their dream. And Utopia for me is the perfect metaphor for the net because in a way, everyone is becoming an image now and we are used to dealing with virtualized version of people and events which in a way, is all an illusion artificially created by mankind.

Questions by This Window


Breck%20Stewart
Quantcast
Visit their site
Breck%20StewartQuantcast

Saturday, 17 October 2009

Nowhere Again - Interview

Below is an email interview with Nowhere Again. All interviews are published unedited.
  • How would you describe your music and what has been your biggest influence?
I guess our music is kind of Space Rock, kind of Psych- Rock and definitely a little bit Alt- Rock (we grew up with Nirvana, after all)... we discovered the genre of shoegazing after we already were kind of doing the wall of sound thing, but I know some people have described us as that, so maybe. I guess our biggest influences were having Pink Floyd played in the car during long night drives as a child (sounds lame, but it's true), and the bands we played in before this one. We come from a metal town, so one day I just bought a delay pedal and we started doing our own thing instead. I think the first Secret Machines album was the catalyst for that, but it was a while ago!
  • In which direction do you think your music will develop?
I don't know, really. Either probably one of three ways: more progressive rock, more alternative rock or more electronic. As a band, we love to play fast and loud, but Alt rock has its limitations, and as we become better musicians we can play more progressive stuff. Also with modern progressive rock you have the option to do some quite electronic material, so you can face the future of music a bit more confidently.
  • How important is the Manchester scene for your music?
The Manchester scene is key. We played a lot underage back home, but that scene, whilst vibrant always had us as the outsiders. After a show once, a guy from one of the other bands asked us if we'd heard of Amplifier or Oceansize (both Manchester bands), and to check them out. I think he was generous for the comparison, as they are a lot better than us, but I also think this is the only real scene in the UK you can get away with playing this kind of music and make a name for yourself.
  • Have you any releases coming out soon?
We're working on a second self-released single, as well as mixing some tracks we recorded over the summer. Some of the summer tracks are very trippy- they'll make your head spin! Unfortunately, they are quite long so we're probably going to wait to release them on an EP, whereas we have a more fast-paced song in mind for the next single and we have a B-side already recorded, so one step at a time.
  • How important is playing live to you?
Playing live is our biggest reason for getting into music. At the end of the day, records are great to listen to; they give a sense of personal connection with the music, but live it's something completely different, something shared and more powerful. It's also fun to defy people's expectations- they assume we won't be lively on stage, but since our background is alt-rock we throw ourselves around a lot; we certainly don't take ourselves too seriously.

Questions by This Window

Visit their site