Thursday, 18 November 2010

ATTRITION - Celebrating 30 years

 A T T R I T I O N : Dreamtime Collectors. 1980 - 2010

Regular visitors to this blog will be well aware of my  view on Attrition.......Thumbs up. Recommend you get this release.


"Forever there will be the speculation that the exploration of darkness as a beautiful place will lessen our fear of it all, ease the pain a little..."

December 8th this year is the 30th anniversary of the first ever ATTRITION show..
Celebrating 30 years with an all new best of collection..."Dreamtime Collectors" - a 16 track CD album compiled by Martin, featuring many rare versions of ATTRITION classics and a cover designed by Russian artist and film maker Edward 209 ...

The album will be released worldwide by US label Metropolis records on November 9th...

Acid Tongue
Cosmetic Citizen (Stromkern remix)
Two Gods
Lip Sync
The Mercy Machine (97)
A girl called harmony
A'dam & eva
I am (eternity)
Dreamsleep
Shrinkwrap
Beast of burden (2005 remix)
Monkey in a bin
To the devil!
Into the waves (2005 remix)
What shall i sing?
Fate is smiling
Advance copies available to buy now - direct from their website

Tuesday, 9 November 2010

Finish The Story - Twitter Links

Finish The Story Archive Links: Je viens de voir qu’ils avaient affiché un lien vers nous, c’est sympa ! http://... http://bit.ly/bXtnp3

Sunday, 7 November 2010

The New Jesus and Mary

Hosted by North Devon Web  - DesignMaterials: Acrylic and Oil Paint with commercial vinyl.

This image was created on a computer running Windows 98, manipulated and edited using Signlab. The finished version was cut out in vinyl with a Camm-1 Plotter and stuck onto board.

'Mass Production and The New Jesus and Mary' Memorial design is now almost completely originated on the computer. Standard designs can be purchased from catalogs. My work as a memorial designer has involved producing bespoke designs for commercial clients who reproduce images over and over again. Read more...

Capitalism = Terrorism

exhibited @ "Gallery Night & Day, October 24th & 25th, 2003 - Kunzelmann-Esser Lofts, Milwaukee, Wisconsin"

Review:
Conclusion: The impression that Peter has/enjoys choice may be illusory. Computer cut religious imagery could be the way forward. It fits with Peter’s established skills and his commercial practice. The heads of Christ are probably the most complete work so far; but working in this vein may well entail a reappraisal about the possibilities of art – and what next is available to Peter. The work is poised for the next stage.

Thursday, 4 November 2010

Audio Interviews with Artists, Musicians and Poets

What’s it really like living with creativity? Look back over the years at the tortured artists, drunken writers and drug-crazed musicians who litter our heritage and you might start to ask the question: is creativity a blessing or a curse? How do people hell-bent on finding their muse cope? Is it the quest for creative fulfillment that causes mental anguish, or is there an imbalance in the first place? Can a creative person ever be truly happy as they constantly strive for perfection in their chosen art? And what is it like living with these two-headed beasts – can they be tamed, or should they be allowed free rein? Peter Bright asks all these questions and more in this soul searching series of interviews with artists, musicians, writers and poets.

Listen to Archive
I did an interview with Jake Bright about the difference between playing bass for ‘The Dastards’ and double bass with The North Devon Sinfonia. This interview took place in-between rehearsals for the Sinfonia’s performance at the Landmark Theatre (Ilfracombe) which was on April 18th 2009. The programme included: Brahms’ Academic Festival Overture, Strauss’ Four Last Songs with the soprano Naomi Harvey from the Welsh National Opera and finally Tchaikovsky’s Symphony No. 5, op.64. The disciplines require for both instruments influences Jake’s own compositions.
There is also an interview with Dave and Sadie Green. Dave is a photographer and Sadie has spent the last few years in the funding side of the Arts. This interview discusses the demise of ‘ArtsCulture’ in Devon and the vacuum left behind by this organisations disappearance.

Juggling with creativity, trying to make it fit into your daily life is a logistical nightmare. In an interview I did with Claire Barker, an artist, illustrator, author, mother, wife, farmer, she explained to me how she talked to the solicitor of the estate of Ted Hughes (UK poet) to get their permission to use one of his poems and still managed to deliver lambs.

Can a creative person ever be truly happy as they constantly strive for perfection in their chosen art? Listen to an interview with Garry Smout, who talks about the problems of using early portable black and white video cameras in the 1970’s, pioneering literary review website the Barcelona Review, early synths and how to kill your babies. The problem with being creative is that everything has to be pushed to the limits.

Creativity is something we are all born with to greater or lesser degrees. It is a vital part of our physiological make up and development. We learn to play and fantasize as children, skills we carry forward into our adulthood. However, if creativity takes hold of your entire existence then it becomes a disease that is parasitic, eating away at your whole world. It might sound melodramatic but creativity can become a cancer of the body or the trigger for psychotic episodes.

Listen to Alisha, a doctor, a GP who is also a poet. I try to find out if creativity is a madness, a disease, an anesthetic or a poison but find out that maybe it could be a ‘Zebra’. Does she use creativity in diagnosis and consultation?